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We’ve updated our Terms of Use. You can review the changes here.

The Basement Collection (abridged)

by The Basement Collection

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1.
Intro 00:25
2.
Green Monkey 01:47
3.
4.
5.
GCDG 01:44
6.
MP 00:13
7.
8.
9.
Wynonas 00:30
10.
11.
MP 00:19
12.
13.
MP 00:16
14.
MP 00:15
15.
MP 00:14
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18.
MP 00:16
19.
MP 00:20
20.
MP 00:18
21.
Green Day 03:10
22.
MP 00:51
23.
MP 00:12
24.
Spy Hunter 04:04
25.
MP 00:44
26.
MP 00:33
27.
28.
Thanks Kirk 00:30
29.
MP 00:22
30.
31.
MP 00:15
32.
33.
Mother 03:08
34.
35.
Down Yonder 01:27
36.
37.
38.
39.
MP 00:16
40.
MP 00:31
41.
42.
43.
NTB improv 02:37
44.
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46.
MP 00:52
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48.
49.
MP 00:14
50.
MP 00:14
51.
MP 00:13
52.
MP 00:48
53.
54.
55.
MP 00:13
56.
MP 00:13
57.
MP 00:15
58.
59.
MP 01:00
60.
61.
MP 00:17
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63.
64.
MP 00:32
65.
MP 00:14
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67.
68.
MP 00:22
69.
70.
71.
72.
MP 00:26
73.
Rock On 03:37
74.
75.
MP 00:12
76.
Superunknown 01:57
77.
MP 00:20
78.
MP 00:25
79.
80.
81.
82.
MP 01:01
83.
Sing It Ope 02:18
84.
ha le lu ya 01:21
85.
MP 00:41
86.
87.
MP 00:15
88.
89.
MP 00:14
90.
91.
MP 00:18
92.

about

All material was recorded (live to 2-track) between 1994 and 1996; it was first compiled on Feb. 4 1996. The selections came from about 10 cassettes.

Equipment used: Realistic mixers; Soundesign cassette recorder; Peavy guitar, amps, and cabinet; Ibanez & Fender basses; Pearl, CB700, and Roland drums; Peavy & Popular Mechanics microphones; Yamaha percussion & effects generator; Radio Shack microcassette recorder; Super Nintendo (Mario Paint); Matt Richmond's Computer; Selmer Pro USA sax; ART FXR effects processor

Around 2002, the 2 master cassettes were recorded into a Roland VS-840EX. Effects were added and the audio was output onto CD-Rs. The CD-Rs were ripped to digital files. By this time, various glitches and artifacts had been introduced. In 2004, around 35 raw cassettes (including all the original source tapes used in The Basement Collection) were recorded into a Toshiba Satellite using the built-in soundcard and Wave Editor software.

On January 28th, 2017, the files from the 2002 version were opened in Pro Tools. Some questionable material was edited out. Some glitches were fixed. Some were not. A few particularly bad tracks were replaced using the source tapes (from the 2004 digitizing). The tracks were exported and uploaded to Bandcamp.

credits

released February 4, 1996

Nathan "Barney" Jones - bass, guitar, mandolin, vocals
Tony Hood - drums, guitar, vocals
Brad Hebert - guitar, drums, bass, percussion, vocals, Mario Paint

Special Guests:
Andy "Opie" Hawks - drums, vocals
Jeremy Gibson - sax, vocals
Justin "Otis Spunkmeyer" Mize - vocals
Nathan "Waldo" Mitchell - vocals
Ronald McDonald - vocals
ETSU Wind Ensemble - serious music
SCHS Drumline - marching percussion
Michael "Jefferson" Harmon - effects

Note: "Reverie"'s are composed by Matthew Richmond

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Living Disproof Knoxville, Tennessee

Unabandoned sound experiments.

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